Our Temple Builders and Visiting a Hindu Temple A Beginner's Guide


Our Temple Builders: Hindu of the Year 2012

Honoring the Ancient Shilpa Parampara

For the first time, our "Hindu of the Year" is awarded to a group: the temple architects and artisans who create these masterpieces of spiritual art

We make no claim to objectivity in taking this opportunity to designate as Hindu of the Year the architects and sculptors who create the magnificent temples of our religion. Our own Iraivan Temple project--the first all-stone, hand-carved Hindu temple built in the West--has put us in intimate daily contact with the Shilpa Parampara for nearly three decades as the complex $16-million-dollar project moves toward fruition here on our island home of Kauai, Hawaii. We know first-hand the knowledge, skill, devotion and work ethic that characterizes these artisans.
While showcasing the tradition's skills, the scale of Iraivan Temple is dwarfed by the stupendous burst of temple construction by the BAPS Swaminarayan organization, especially the Akshardham project in Delhi. BAPS has not only carried on the existing traditions of northern India, but resurrected lost arts and motifs and melded ancient methods of construction with the latest technologies to produce temples in stone at an unheard of pace--more than 1,077 in the past 41 years!
Central to the temple building tradition anywhere in India is the sthapati: architect, designer, engineer, sculptor, construction supervisor and teacher all in one. Some sthapatis specialize in the making of murtis (statues), others in temple stone work and still others in the concrete, brick and plaster construction of most modern Hindu temples. Contributing sthapatis are experts in metalwork, jewelry and carpentry. Many sthapatis are competent engineers in reinforced concrete. Most modern temples are made of this material, then decorated by sculptors working with plaster.
But the sthapatis' skill is best showcased in the temple stonework. There is no standardized granite, sandstone or marble block to work from. Every piece is different from the moment it is cleaved from the quarry rock. Each of Iraivan Temple's several thousand stones, including its multi-ton pillars and beams, is unique. The sthapati is responsible to see that all fit together precisely. BAPS temples are similar and have been described as "giant jigsaw puzzles."
Nowadays many sthapatis in South India are trained by the Tamil Nadu Government School of Art and Architecture in Mambalapuram, but traditionally the expertise has been passed from father to son. Almost all sthapatis come from the Viswakarma caste, known by various names across India.
BAPS, for example, is collaborating closely with the Sompura community of temple artisans in Gujarat, part of this same Viswakarma tradition. Virendra Sompura was architect for the Delhi Akshardham Temple, while C.B. Sompura (whose grandfather rebuilt Somnath Temple in 1952) designed the London Shri Swaminaryana Mandir. The temple building tradition suffered greatly in North India during the long centuries of Islamic oppression, yet still survived.
We are most familiar with the prominent subgroups in South India, who avoided Islamic suppression but suffered under the British, for lack of patronage.
V. Ganapati Sthapati, based in Mambalapuram, traces his lineage through his grandfather Mahilavanam to Kunjaramalan Rajaraja Perunthachan, who designed and built the great temple of Brihadeeshwara in Tanjore in the 10th century.
Present-day sthapatis in this clan include VGS's young nephew Selvanathan, Perumal Sthapati, Shekar Sthapati (instrumental in building the huge Tiruvalluvar statue), Palanisamy Sthapati, the late Shanmugam Sthapati (who worked on Iraivan Temple) and Shanmugam's son, Santana Krishna.
Another clan is descended from Muthu Sthapathi. Now based in Kanchipuram, the family originated near Rameshwaram. Muthu had four sons, each an accomplished sthapati in his own right. The eldest, S.M. Ganapathi Sthapathi--working closely with the youngest, Shanmugam Sthapathi--established the Sri Sankara Silpa Sala in Kanchipuram, offering temple design and construction. The late Sattanadha Sthapathi, Muthu's second son, built the Rajarajeshwari Temple on Mysore Road, Bangalore, for Shri Tiruchi Mahaswamigal of Kailash Ashram. The third son, Muthiah Sthapathi, has designed dozens of temples in the West.
One might ask then about the stone carvers themselves. Occasionally these days they are themselves from the Viswakarma caste, but more often are men drawn from the farming community.
A few years ago the US immigration service suddenly and unexpectedly stopped issuing the Religious Worker visa for carvers and plaster sculptors. Their reason? "They're just construction workers." After several months of correspondence, with the collaboration of other Hindu organizations and the help of high-priced lawyers and the office of Senator Kennedy, among others, that decision was reversed. We made a convincing case to the American government, based on scripture, history, academic research and the testimony of the shilpis themselves, that their work--however they came to it--was no ordinary job, but a religious calling, just as it is for the sthapatis. Perhaps not all approach their work with this attitude, but it is shared by everyone whom we know. For that, and for their central role in preserving and expanding Hindu culture in thousands of communities around the world, we honor our temple builders, north and south as our "Hindu of the Year" for 2012.

The Renaissance Award: Past and Present

The Hindu Renaissance Award Hindu of the Year was created in 1990 by Satguru Sivaya Subramuniyaswami, founder of Hinduism Today, to recognize and strengthen Hindu leaders worldwide. This year, 2012, is the first time it has been presented to a group, the Shilpa Parampara, responsible for building the great temples of our religion over the last many centuries.
Previous awardees are Swami Paramananda Bharati ('90), Swami Chidananda Saraswati ('91), Swami Chinmayananda ('92), Mata Amritanandamayi Ma ('93), Swami Satchidananda ('94), Pramukhswami Maharaj ('95), Satya Sai Baba ('96), Sri Chinmoy ('97), Swami Bua ('98), Swami Chidananda Saraswati of Divine Life Society ('99), Ma Yoga Shakti ('00), T. S. Sambamurthy Sivachariar ('01), Dada J.P. Vaswani ('02), Sri Tiruchi Mahaswamigal ('03), Dr. K. Pichai Sivacharya ('04), Swami Tejomayananda ('05), Ramesh Bhai Oza ('06), Sri Balagangadharanathaswami ('07), Swami Avdheshanand ('08), Swami Gopal Sharan Devacharya ('09), Sri P. Parameswaran ('10) and Jagadguru Sri Sri Bharati Tirtha Mahaswamiji ('11).

The Viswakarma Community through the Ages

Vganapati Sthapati (1927-2011) was one of the foremost temple architects of his time, designing not only our own Iraivan Temple but spectacular works such as the Tiruvalluvar statue at Kanya Kumari. In the introduction to his seminal book, Indian Sculpture and Iconography, he wrote: "Indian sculpture and iconography is based on the Shilpa Shastra, an ancient text blessed by the Divinities and fostered by the hoary traditions of this land. The sculptural tradition in India, the Shilpa Parampara, is closely linked to the architectural field and the two together came to be known as the Vaastu Parampara. The designers and artists of the classical traditions of sculpture and architecture were known as the Viswakarma, whose name has been mentioned in the Vedas and the Puranas. Even today they are known by this name, though there are regional variations.
"Viswakarma craftsmen and artists have been the designers of towns, temples, residences, villages, palaces, makers of sculptural works in metal, wood, earth-mortar and stone, jewelers, vessel makers, blacksmiths and makers of implements of war. To this day this community lives in various pockets of India, though sadly depleted in number and marginalized in its contribution to society. Traditionally, all skilled work connected with buildings and sculpture came under their direct purview.
"The transference of knowledge has been hereditary, and the father's workshop became the learning ground for the son. But with the advent of modern educational patterns and technology their services were terminated in all works except temple designs and fashioning of art objects. It is only in the last two decades that a revival has taken place in the preparation and re-absorption of the traditional Viswakarma into the mainstream of social building activity.
"During the course of my research in the Shilpa Parampara, I became aware of the similarities and resemblances of the grammar, or order of sculpture, in all parts of India, whether Karnataka, Maharashtra, Orissa or Bengal. We realized that a national tradition existed in our midst, which had been mistakenly put into contradictory slots due to variations in styles. The underlying principles and rhythms have evolved from a common and powerful base. In fact, the work methodology, measuring techniques, habits, ethics and material handling of the Viswakarma community show a remarkable similarity through the length and breadth of the whole of India. The Viswakarma have been one large united family, and it is their genius and creativity that has contributed greatly to the identity of our culture today."

Educational Insight

Visiting a Hindu Temple

A Beginner's Guide

Be they luxurious palaces, rustic warehouses, simple halls or granite sanctuaries, Hindu temples are springing up all over the world, numbering in the hundreds of thousands. Yet outside of India and a few places like Sri Lanka, Nepal and Bali, what happens inside these temples remains a mystery--to young generations of Hindus as well as to curious newcomers. It's all a bit intimidating at first. This Insight is designed to answer the common questions that arise: Why are temples important? What are the customs and protocols, the dos and don'ts? What attitudes should one hold inside? Do all those rituals have a meaning? What is the priest chanting? All these musings and more are addressed here to help newcomers--both Hindus and non-Hindus--enjoy and benefit from their temple visits.

Quick Start...

Dress modestly, no shorts or short skirts. Remove shoes before entering. Be respectful of God and the Gods. Bring your problems, prayers or sorrows but leave food and improper manners outside. Do not enter the shrines without invitation or sit with your feet pointing toward the Deities or another person. Refrain from gossip and worldly talk. Mute your cell phone. Treat the priests with respect and obey visitor signs. Men and women avoid hugging and other demonstrations of affection, and usually sit separately. Enjoy a spiritual time in this holy sanctuary.

Why Are Temples Needed?

By Satguru Bodhinatha Veylanswami
A few years ago at a temple in Australia, while I was chatting with sons and daughters of key members, one youth challenged: "Swamiji, since God is omnipresent, what is the need to build large temples to worship Him? The cost of construction is large, plus then you have the ongoing cost of monthly maintenance that has to be met. Couldn't all that money be spent in a better way?"
"Good question!" I responded. "Yes, it is true that God is everywhere, permeating everything, including this room. By looking intently around us, we should be able to experience God, right? But look around you now. How many of you can see God?" They all smiled and admitted they could not. I continued: "Practically speaking, God's omnipresence is at a very subtle level, too subtle for most of us to experience without a lot of experience in meditation."
That's how I explain the need for the Hindu temple: it is a special space in which the inner and outer worlds commune and we can experience Divinity. If we want to see a distant galaxy, we can go to an observatory and look through a powerful telescope. To see into the nucleus of a cell, we go to a laboratory and use a microscope. Similarly, to know God, we can go to the temple and experience Divinity through the sanctified murti. Temples are especially sacred for three reasons: construction, consecration and continuous daily worship.
Hereditary temple architects, known as sthapatis, are commissioned to design and construct the temple according to the sacred architecture found in the Agamic scriptures. Consecration occurs through the powerful ceremony of kumbhabhishekam, with many priests performing elaborate rituals for several days. Then begins the perpetual schedule of obligatory pujas conducted by highly trained priests. These daily pujas sustain and build on the power set in motion at the kumbhabhishekam.

Hindu Temples Are Not All Alike

Ideally, temples (often called mandirs) are built in accordance with the ancient scriptures, planned out by skilled Indian architects to resemble the traditional styles found in India. This ideal temple has certain features: 1) a central sanctum enshrines the main Deity; 2) other Deities in the pantheon are represented by murtis in secondary sanctums or shrines; 3) the structure has no basement; 4) cultural and social activities are provided for in separate facilities, not in the main area dedicated for worship; 5) trained, ordained priests perform a daily regimen of pujas (others do not enter the shrines); 6) the temple openly represents a particular denomination of Hinduism and a specific lineage of teaching and liturgy.
While these principles are well known among the thousands of communities of Hindus around the world, the reality is that each temple comes up in it own way, organically, with the above ideals flexing with the exigencies of the day, the resources and often mixed geographical background of the constituents. Hence, we now have a vast variety of temples, particularly outside India, each serving the needs of its community as a center of worship, culture, community service and spiritual fellowship.
Every temple is unique. Agamic temples provide elaborate pujas several times per day. The main Deities are in distinct, prominent sanctums. Individuals come and go at any time and worship privately or as a family. Other temples may be structured as a simple hall with a stage in front, and Deities on pedestals usually around the perimeter of the room. The style of worship here is often congregational, with temple members gathering at a set time for a structured service conducted by a priest or elder. In some mandirs devotees may do a simple puja themselves. Services may include some form of teaching, such as a lecture by a swami or lay leader, and devotional singing or dramatic readings from the epics, Ramayana and Mahabharata.
Here is the format followed at the Hindu temple in Midland, Texas, as described by Dr. Padmaja Patel: "Every week on Sunday we gather at our temple from 10:30 to 12:30. After removing our shoes in our shoe room, we enter the main hall. The men and women sit separately. There are a set of shlokas and stutis that everyone chants together, followed by bhajans, which are usually in the call-and-response fashion. At the end of the session, our priest will perform a short puja to a particular Deity. Then we sing a food-offering song, followed by the 'Om Jai Jagadish Hare' arati, where everyone can come forward. There are usually four or five arati trays with which people can offer arati to their Ishta Devata, or chosen Deity. Then we adjourn to a separate hall and enjoy the blessed food offerings as prasad."
Consult members of the community in advance to learn how best to prepare yourself to attend a particular temple.

What Is Puja All About?

The Hindu worship service called puja, literally "adoration," is the central activity in most temples. Conducted by a priest, or pujari, puja is similar to a grand reception for a king. The ritual can last from ten minutes to several hours.
All puja follows one basic pattern. First, the pujari purifies himself, the sacred implements and the place of worship. He chants in Sanskrit the time, place and nature of this particular puja. Through hand gestures (mudras) and mantras, he beseeches the Deity to come and dwell in the image. Ringing a bell and intoning mantras and hymns from the ancient Vedas and Agamas, the pujari then offers precious substances to the Deity, including water, uncooked rice, holy ash, sandalwood paste and kumkum. Some rites include a ritual bath, called abhishekam, in which water, sesame oil, turmeric water, saffron, milk, yogurt, ghee, honey, lime juice, vibhuti, sandalwood paste, panchamritam (mixture of five fruits), coconut water and rosewater are poured over the Deity.
Devotees are seated during most of the puja, usually on the floor. After abhishekam, the Deity is dressed in new clothes and beautifully decorated with flowers. At this point, devotees may sing devotional songs. After decorating the Deity, the pujari offers incense, oil lamps and food. He offers flowers while chanting 108 names of the God. At the high point of the puja, a large lamp is waved before the Deity and bells are rung loudly as God sends His power through the holy image of Himself. When the lamp is lowered, everyone prostrates to the Divine. The lamp is then carried out to bless the worshipers, who often leave a donation on the tray (or later in the temple offering box). Finally, depending on the tradition, sacraments such as sacred ash, blessed water, sandalwood paste, kumkum, fruit, sweets and flowers are passed out to bless all present. These include a portion of the offerings--flowers, cooked food and more--brought by devotees. Devotees may then sit in meditation, basking in the blessings invoked by the puja.

18 Steps for Visiting a Hindu Temple

You will want to look and feel your best when you go to the temple, God's home. Prepare yourself by bathing and putting on clean clothing. Traditional dress is best--saris or punjabis for ladies, long dresses for girls, and kurta and dhoti or pants for men and boys. But any nice, modest clothing suitable for sitting on the floor is acceptable. In anticipation of your visit, prepare your mind by thinking about God. Keep focused on your spiritual purpose during travel time, be it a few minute's drive or a long pilgrimage. If traveling with family or friends, direct discussions to spiritual matters and away from worldliness.
Bring an offering: such as fruits and flowers or flower garlands. On arrival, it is traditional to circumambulate the temple where possible. Inside, greet the Deities at their shrines, hands pressed together in namaskara, starting with Lord Ganesha. You may prostrate and present your offerings. Inwardly feel God's uplifting presence, called sannidhya.
The primary focus of Hindu temples is the worship ritual called puja (see p. 39). Puja is a ceremony in which the ringing of bells, passing of flames, presenting of offerings and chanting invoke the blessings of God and Gods. During the puja, focus on the acts of worship, rather than letting your mind wander. Over time, devotees strive to learn the inner meaning of what the priest is doing and mentally follow along.
Ardent worship takes many forms in a temple. You can be immersed in the joys of devotion, in prayerful communion, seeking consolation for a loss, singing hymns, chanting mantras or celebrating a rite of passage. Meditation is appropriate, especially after the puja, and emotion is not out of place. God will receive your devotion, however you offer it.
Dancing with Siva summarizes: "With offerings in hand, leaving our shoes outside, we enter through the gopura, or temple tower, wash hands, feet and mouth, and seek blessings at Lord Ganesha's shrine. Next we follow the outer prakara, or hallway, clockwise around the mahamandapa, central chambers. Inside we leave our worldly thoughts at the balipitha, or offering place, then prostrate before the dhvajastambha, temple flagpole, and worship Nandi the sacred bull [or Garuda, Mushika, etc.]. Next we circumambulate the central sanctum, garbhagriha, usually three times, returning to its entrance for worship. During puja, we stand with hands folded or in anjali mudra, though according to temple custom, it may be proper to sit quietly or sing devotional hymns. After the arati, or waving of the camphor light before the Deity, we prostrate (ashtanga pranama for men, and panchanga pranama for women) and rise to receive the prasada, accepting them in the right hand. We walk around the garbhagriha one final time before taking our leave."

About Sacraments

At the end of the puja, the priest passes out to the attending devotees various substances that were offered to the Deity. By partaking of these offerings, called prasada, one absorbs the blessings into one's being. Observe the way experienced temple-goers receive these sacraments to properly learn the nuanced customs. First, the sacramental lamp which has just been offered at the high point of the puja is passed among the devotees. The devas can see and bless you through this flame as it lights up your face. Sometimes you, too, can glimpse into their world. When the priest comes to you with the lamp, reach out and pass both hands devoutly over the flame. Then bring your hands back, turn your palms toward your face and touch your eyes with your fingertips to receive the Deity's blessings. (In some temples, the devotees take turns passing the arati flame in front of the murtis while singing "Jai Jagadish Hare....") At a shrine to Lord Vishnu, the priest may bring out the Deity's silver or gold crown and lightly touch it to the head of each devotee. This represents God's feet being placed on your head. A sacrament offered at Siva shrines is holy ash, vibhuti, made by burning dried cow dung with ghee, flowers, yogurt and other ingredients. It symbolizes the purity we attain by burning the bonds of ego, karma and maya to reveal the soul's natural goodness. It is applied on the forehead, generally three broad stripes for men, and one short stroke for ladies. A spoonful of blessed water that was offered to the Deity, or milk with which the Deity was bathed during the puja, may be offered for you to drink. Sandalwood paste, valued for its fragrance, is often next. A small dab is placed in your hand by the priest, which you transfer to your left palm with a wiping motion. Dip your right ring finger into the paste and apply it with a small circular motion between the eyebrows, or in your chosen sectarian mark. A red powder called kumkum is then given. The priest will place a small pinch in your right hand or invite you to take some from the container he holds before you. Apply the kumkum on top of the sandalwood, creating a dot, or bindi, which represents the third eye of spiritual seeing. Vaishnava Hindus traditionally apply a V-shaped tilaka on the forehead representing the feet of the Lord. Flowers may also be distributed by the priest, as well as cooked food. Many devotees wrap portions of their prasada to share with loved ones or place on their home altar.

Six Secrets About Temple Worship

From Merging with Siva, by Satguru Sivaya Subramuniyaswami

1. One God, Many Gods

In the Hindu pantheon there are said to be 330 million Gods. Even so, all Hindus believe in one Supreme Being who pervades the entire universe. The many Gods are perceived as divine creations of that one Being. These Gods, or Mahadevas, are real beings, capable of thought and feeling beyond the limited thought and feeling of embodied man. So, Hinduism has one God, but it has many Gods. There are only a few of these Gods for whom temples are built and pujas conducted. Ganesha, Siva, Subramaniam, Vishnu and Shakti are the most prominent Deities in contemporary Hinduism. Of course, there are many others for whom certain rites or mantras are done in daily ceremony, often in the home shrine. These include Brahma, Surya, Sarasvati, Lakshmi, Agni, Chandra, Ayyappan, Hanuman, Mariyamman and others.
The Hindu traditionally adopts an Ishta Devata. This is a personal Deity chosen from the many Hindu Gods, often according to the devotee's family background or the feeling of closeness to one form of divine manifestation. It is the unique and all-encompassing nature of Hinduism that one devotee may be worshiping Ganesha while his friend worships Subramaniam or Vishnu, and yet both honor the other's choice and feel no sense of conflict. The profound understanding and universal acceptance that are unique in Hinduism are reflected in this faculty for accommodating different approaches to the Divine, allowing for different names and forms of God to be worshiped side by side within the temple walls. It may even happen that one may adopt a different personal Deity through the years according to one's spiritual unfoldment and inner needs.

2. Temples Are Transformative!

Visiting a Hindu temple, receiving darshan from the majestic Gods of our religion, can altogether change the life of a worshiper. It alters the flow of the pranas, or life currents, within his body. It draws his awareness into the deeper chakras. It adjusts his beliefs and the attitudes that are the natural consequence of those beliefs. But the change is slow. He lives with the experience for months and months after his visit to the temple. He comes to know and love the Deity. The Deity comes to know and love him, helping and guiding his entire evolutionary pattern.
Darshan coming from the great temples of our Gods can change the patterns of karma dating back many past lives, clearing and clarifying conditions that were created hundreds of years ago and are but seeds now, waiting to manifest in the future. Through the grace of the Gods, those seeds can be removed if the manifestation in the future would not enhance the evolution of the soul.

3. Three Worlds Communing

Hinduism views existence as composed of three worlds. The First World is the physical universe, the Second World is the subtle astral or mental plane of existence in which the devas, or angels, and spirits live, and the Third World is the spiritual sphere of the Mahadevas, the Deities, the Gods. Hinduism is the harmonious working together of these three worlds. Religion blossoms for the Hindu as he awakens to the existence of the Second and Third Worlds. These inner worlds naturally inspire in man responses of love and devotion and even awe. They are that wonderful.
It is in the Hindu temple that the three worlds meet and devotees invoke the Gods of our religion. The temple is built as a palace in which the Gods reside. It is the visible home of the Gods, a sacred place unlike every other place on the Earth. The Hindu must associate himself with these Gods in a very sensitive way when he approaches the temple. These intelligent beings have evolved through eons of time and are able to help mankind without themselves having to live in a physical body. These great Mahadevas, with their multitudes of angelic devas, live and work constantly and tirelessly for the people of our religion, protecting and guiding them, opening new doors and closing unused ones.
The reality of the Mahadevas and their darshan can be experienced by the devotee through his awakened ajna vision, or more often as the physical sight of the image in the sanctum coupled with the inner knowing that He is there within the microcosm. This darshan can be felt by all devotees, becoming stronger and more defined as devotion is perfected. Through this darshan, messages can be channeled along the vibratory emanations that radiate out from the Mahadevas, as well as from their representatives, the Second World devas who carry out their work for them in shrines and altars.

4. Where Problems Can Be Dissolved

Hindus always want to live near a temple so they can frequent it regularly. When we go to the temple, we leave with our mind filled with the shakti of the Deity. We are filled and thrilled with the shakti of the temple in every nerve current of our body. When we return to our home, we light an oil lamp, and that brings the power of the temple into the home. This simple act brings the devas in the Second World right into your home, where they can bless the rest of the family who perhaps did not go to the temple.
The devotee stands before the sanctum and telepathically tells the Gods a problem, and with hopeful faith leaves and waits. Days or weeks later, after he had forgotten about his prayer, he suddenly realizes the problem has disappeared. He attempts to trace the source of its solution and finds that a simple, favorable play of circumstance and events brought it about. Had the Gods answered his prayer, or would it have happened anyway?
He brings another prayer to the Gods, and again in time an answer appears in the natural course of his life. It appears to him that the Gods are hearing and responding to his needs. Trust and love have taken root. He goes on, year after year, bringing the Gods into his secular affairs, while just as carefully the Gods are bringing him into their celestial spheres, enlivening his soul with energy, joy and intelligence.
The Hindu looks to the Gods for very practical assistance. He devoutly believes that the Gods from their dwelling in the Third World are capable of consciously working with the forces of evolution in the universe and they could then certainly manage a few simpler problems. He devoutly believes that the Gods are given to care for man on the planet and see him through his tenure on Earth, and that their decisions are vast in their implications.

5. Puja Is Communion

The physical representation of the God, be it a stone or metal image, a yantra or other sacred form, simply marks the place that the God will manifest in or hover above in His etheric body. It can be conceived as an antenna to receive the divine rays of the God or as the material body in or through which the God manifests in this First World. Man takes one body and then another in his progression through the cycles of birth and death and rebirth. Similarly, the Gods in their subtle bodies inhabit, for brief or protracted spans of time, these temple images.
When we perform puja, a religious ritual, we are attracting the attention of the devas and Mahadevas in the inner worlds. That is the purpose of a puja; it is a form of communication. To enhance this communication, we establish an altar in the temple and in the home. This becomes charged or magnetized through our devotional thoughts and feelings, which radiate out and affect the surrounding environment.
Chanting and satsanga and ceremonial rituals all contribute to this sanctifying process, creating an atmosphere to which the Gods are drawn and in which they can manifest. By the word manifest, I mean they actually come and dwell there and can stay for periods of time, providing the vibration is kept pure and undisturbed. The altar takes on a certain power. In our religion there are altars in temples all over the world inhabited by the devas and the great Gods. When you enter these holy places, you can sense their sanctity. You can feel the presence of these divine beings, and this radiation from them is known as darshan.

6. Dealing with Disbelief

In the beginning stages of worship, a Hindu soul may have to wrestle with disbelief in the Gods. He may wonder whether they really exist, especially if his own intuition is obscured by assimilation of Western, existentialist beliefs and attitudes. Yet, he senses their existence, and this sensing brings him back to the temple. He is looking for proof, immersed in the process of coming to know the Gods for himself. He is heartened and assured by hundreds of saints and rishis who have fathomed and found close and enduring relationships with the Gods, and who then extolled their greatness in pages of scripture and chronicle.
The Gods of Hinduism create, preserve and protect mankind. Their overview spans time itself, and yet their detailed focus upon the complicated fabric of human affairs is just as awesome. It is through their sanction that all things continue, and through their will that they cease. It is through their grace that all good things happen, and all things that happen are for the good. Now, you may wonder why one would put himself under this divine authority so willingly, thus losing his semblance of freedom. But does one not willingly put himself in total harmony with those whom he loves? Of course he does. And loving these great souls comes so naturally. Their timeless wisdom, their vast intelligence, their thoroughly benign natures, their ceaseless concern for the problems and well-being of devotees, and their power and sheer godly brilliance--all these inspire our love.

Other Temple Events

Annual Festivals

Many annual festivals are celebrated in temples. These are auspicious days when the veil between the worlds is thin and God and the Gods can touch our world. Festivals provide the opportunity to go on pilgrimage, journeying to a far-off temple for blessings and renewal. Celebrated with unmatched fervor but with paced regularity, festivals serve as a reminder of one's identity and allegiance to Hindu traditions and ideals. As Professor Dr. Shiva Bajpai remarked, "Festivals, pilgrimages and temple worship are the faith armor of Hindus."

Rites of Passage              

A central part of every Hindu's life, samskaras are sacred rites of passage, such as coming of age and marriage, and childhood rites, including name-giving, first feeding, ear-piercing and head-shaving. They are held in temples, homes or halls. You may observe samskaras in progress during your visit. Consult with the temple priest for more information. These rites usually include a puja and a homa, or fire ceremony. If you request a samskara, the priest will set an auspicious time, explain how to prepare, what to bring, and what to do during the ceremony.

Fire Rites

Major pujas in temples are often preceded by a homa, or "fire-offering," among the most ancient forms of Hindu worship. Fire is the object of worship, and oblations are offered into a sanctified fire pit, which is usually made of earthen bricks. One or more priests sit near and tend the fire, offering wood, ghee, grains and dried herbs while chanting mantras from the Vedas and Agamas. The rites invoke the temple's main Deity as well as other Gods, such as Ganesha, Agni and Varuna.

Did You Know?

In a Hindu temple there is often a multiplicity of simultaneous proceedings and ceremonies. In one corner, an extended family, or clan, with its hundreds of tightly knit members, may be joyously celebrating a wedding. At another shrine a lady might be crying in front of the Deity, saddened by some misfortune and in need of solace. Elsewhere in the crowded precincts, a baby is being blessed, and several groups of temple musicians are filling the chamber with the shrill sounds of the nagasvaram and drum. After the puja reaches its zenith, brahmin priests move in and out of the sanctum, passing camphor and sacred ash and holy water to hundreds of worshipers crowding eagerly to get a glimpse of the Deity. All of this is happening at once, unplanned and yet totally organized. It is a wonderful experience, and such a diverse array of devotional ceremonies and such an intensity of worship can only be seen in a Hindu temple. There is no place on Earth quite like a Hindu temple." Living with Siva

Questions & Answers

What is the cosmology that gives rise to the belief in Gods and devas?

Satguru Sivaya Subramuniyaswami: Hinduism views existence as composed of three worlds. The First World is the physical universe, the Second World is the subtle astral or mental plane of existence in which the devas, or angels, and spirits live, and the Third World is the spiritual sphere of the Mahadevas, the Deities, the Gods. Hinduism is the harmonious working together of these three worlds. Religion blossoms for the Hindu as he awakens to the existence of the Second and Third Worlds. These inner worlds naturally inspire in man responses of love and devotion and even awe. They are that wonderful.

What is the significance of the temple?

BAPS Swaminarayan Sanstha: Mandir is the Hindu name for a place of worship or prayer. Mandir is a Sanskrit word meaning the place where the mind becomes still and the soul floats freely to seek the source of life, peace, joy and comfort. For centuries, the mandir has remained a center of life, a common community place where people forget their differences and voluntarily unite to serve society.
Sivaya Subramuniyaswami: On this Earth plane the Gods have a special home, and that is the holy temple. It is in the sanctified temple, where regular and proper puja is being performed in a pure way, that the Gods most easily manifest. You can go to a Hindu temple with your mind filled up with worries, you can be in a state of jealousy and anger, and leave the temple wondering what you were disturbed about, completely free from the mental burdens and feeling secure. So great are the divine psychiatrists, the Gods of our religion, who live in the Third World, who come from the Third World to this world where our priests perform the pujas and invoke their presence over the stone image.

Why are temples needed?

BAPS: Every religion in its own tradition builds houses of worship. It is the mandir that fuels our faith in God, strengthens our society and teaches us to trust one another and to become trustworthy. Schools will educate the mind, but who will educate the soul? Hospitals will mend a broken arm, but who will mend a broken heart? Cinemas and arcades will excite the mind, but where will one go for peace of mind? The mandir is a center for learning about man, nature and God. It is where ethics and values are reinforced. It is where people celebrate festivals and seek shelter in sad times. It is where talents in various arts--music, literature and sculpture--are offered in the service of God.
Are there varied views regarding the Gods and temple images, or murtis?
Yes, from the Agamic perspective, the murti is considered a sacred medium of the Divine. Another view is that the various murtis are symbols of the facets of Divinity.
Acharya Ananda Swami, Pitampura Temple, West Delhi: The sanctum sanctorum is the place where God resides. In Hindu culture, the idol is made based on the form of God which our rishis and saints saw through their penance and meditation. So, for us the idol is not just something made of stone; it is a form of God, a living God. These idols are established in the temples following directions given in our Shastras and Vedas. Once the idol is established with due rituals, that place becomes the garbhagriha, or sanctum sanctorum. To maintain the purity of the temple, only the priest can enter the sanctum or touch the Deity.
Chinmaya Mission: God, the infinite, the formless, is exceedingly hard to contemplate upon. Most of us need some grosser expression. Symbols of the eternal principle are called idols, murtis. These idols represent the eternal principle, God, the ideal.... If we are not yet able to see the Lord in everything, we are asked to first practice seeing him in at least one image and then slowly expand our vision (Bal Vihar Teacher's Handbook, Grade Five).
BAPS: Sanatan Dharma believes in murti puja--worshiping Bhagwan, His avatars and Deities in the form of images. Followers believe in the presence of the Divine in such images and offer them worship with faith (shraddha) and loving devotion (bhakti). In turn, due to His grace, the Divine accepts this bhakti. Throughout Sanatan Dharma's history, He has let His manifestations and Divinity be known through various murtis and [miraculous] events.

How should one prepare to go to the temple?

Acharya Ananda Swami: Devotees should come with complete mental and physical purity. In the temple the devotees should engage in bhajan, kirtan and worship of God. Before we enter the temple, we must purify ourselves by sprinkling of water and also purify our inner self by chanting holy mantras. Even our dress should be sattvic and light colored or even white. We must wear fresh clothes and avoid wearing leather items, like belts and shoes. Our heart should have sattvic feelings when we come to the temple.

Why have many temples in the Hindu diaspora combined the functions of temple and satsang hall in one facility?

Pandit Roopnauth Sharma, Ram Mandir, Toronto: When people move from an environment they are accustomed to, they try to accommodate situations and in so doing may create a new approach to getting something done. When people settled in the colonial countries, they were given accommodations in simple lodges, and there was only one gathering hall. They placed the Deity there, did their puja there and congregated there for satsang. They held their havan there as well. But in India that would not happen. In the Caribbean it became a place for darshan and shiksha (teaching) and satsang because it was the only place they had, and this is what is evolving in North America today--like our congregation here in Ram Mandir. We are trying to create an environment where people come and sit and listen and learn, an institution not only for darshan but for spiritual learning, and learning about the Hindu way of life.
Padmaja Patel, Midland, Texas: In North America, in addition to temples of traditional South Indian style, there are many community temples which include a satsang hall and murtis. Our local temple falls in that category. To best utilize the space and money, we also have a stage in the hall for children's cultural performances. The current design serves our small community well. The other important factor is that some of the smaller communities cannot afford to have a full-time priest, so this type of non-traditional temple serves them well.
Acharya Ananda Swami: In North India there are also many temples where the design is such that the idols are placed inside a satsang hall.

What is the purpose of walking around the temple or shrine?

Acharya Ananda Swami: There is a special importance of pradakshina (or parikrama). For different Gods and Goddesses there are different numbers of pradakshina one has to undergo. Most knowledgeable devotees undertake pradakshina as part of their routine of worship. The devotee can do general pradakshina for all the Gods, once, thrice, eleven, twenty-one, fifty-one times or even more.
Sivaya Subramuniyaswami: When we come to the temple out of the world, off the street, we are often shrouded by negative vibrations, which can actually be seen in our aura. Our nerve system may be upset, especially now, in the technological age, when we often suffer from stress and strain, the insecurity of so many changes and the rapid pace of life. In order to prepare ourselves to enter the sanctum sanctorum of the temple, the great mandapam inside, we walk clockwise around the temple very slowly. In this way we prepare our mind. We consciously drop off worldliness, letting the sufferings go, letting all disturbances leave our mind the best we can, and trying to reach deep inside of ourselves where peace exists eternally. We become as celestial as we can during the time we are walking around the temple, so that we can communicate with the celestial beings within the temple.

How does the temple help individuals?

BAPS: A hectic routine packed with work tensions and idealistic ambitions, imperfect relationships and demanding family stresses, leaves the average individual with an ardent craving for answers to life's unlimited questions; the most burning being: "How can I attain peace of mind?" Sometimes the individual may turn to alcohol, substance abuse, crime, gambling or other such vices, helplessly in search of peace. Many genuine efforts are also made, such as recreational activities, days off or retreats. The mandir offers a refreshing tranquility. Through its natural teachings and activities of prayer and worship, the mandir generates devout faith in God and in fellow man and guides the individual towards spirituality. With this new-found faith in God, the individual embraces physical, mental, and spiritual purity. The teachings and natural activities of the mandir offer the individual an understanding that peace of mind does not lie in addictions and other such vices. They mold the character of the individual by endowing basic virtues of humanity such as fidelity, courage, forgiveness, unity, friendship, honesty, humility, tolerance, understanding, patience, charity and universal brotherhood. Thus, the mandir also plays an indirect role in improving society by improving the state of the individual.

What is the significance of the showing of lights?

BAPS: Only through the light of knowledge can one welcome Bhagwan in one's heart. The symbol of this knowledge is light. Only in the light can one have Bhagwan's darshan. Arati is the ritual that welcomes Bhagwan with light.
Acharya Ananda Swami: Fire worship has a significant role in the temple. It is used in the puja and archana. We light the dipas and perform the arati in which the role of fire is very important. When special festivals or functions are held, dipas or lamps are lit 'round the clock.

What cultural importance does the mandir have?

BAPS: Throughout the history of Hindu civilization, mandirs have been the most significant patrons of architecture, sculpture and painting. Mandirs were also great patrons of the performing arts, supporting the performance and teaching of devotional vocal and instrumental music. Mandirs also promoted a tradition of devotional dance. These traditions of music and dance were developed in the mandir and spread out into the wider culture. Without the mandir's patronage, these priceless artistic traditions would not be available for the world to appreciate today.

Ten Tips to Make the Most of Your Visit

  1. Attend a puja at the temple at least once a week. Experienceing the divine energy of God and the Gods on a regular basis helps keep you pure and strong in your religious commitments.
  2. Dress in traditional Hindu clothing. This helps put you in a religious mood. Keep special clothing just for the temple.
  3. Make your travel to the temple a religious time. This prepares you to arrive in a spiritual frame of mind. Don't focus on problems or projects at home, work or school. Don't think or talk about politics or business. Listen to religious music or chanting while in transit. Tell the children uplifting stories.
  4. Bring an offering. Ideally, bring a flower, flower garland or fruit for each shrine at which you worship. The act of giving makes you receptive to blessings.
  5. Put prana into what you offer. Prana is the energy that exudes from your hands. Buying a garland is good, but making one is even better. When the priest puts your hand-made garland on the murti, it's almost like you are touching the Deity yourself.
  6. Focus on the worship service and the priest's chanting. Don't let the mind wander. Learn, at least generally, the meaning of what the priest is chanting. Similarly, when singing bhajans, keep focused on the meaning of the song.
  7. Stay for a while after the ceremony. Don't rush away. Sit and meditate. Bask in the divine energy of the temple. This is also an ideal opportunity for japa.
  8. Light an oil lamp in your shrine room when you get home. This brings devas who were at the temple right into your sacred space. From the inner world, they will bless the family and strengthen the spiritual force field of the home.
  9. Watch for auspicious days. The Deity's presence is stronger on some days than others. By attending the temple on the most auspicious days, you become attuned to the Deity's blessings. For example, blessings are especially strong during the annual festival days.
  10. Gain strength by taking vows. It is common to take a vow, or vrata, during festivals. A typical vrata is to fast during a day of temple ceremonies and break the fast that evening.

Om Tat Sat

(My humble salutations to Sadguru Sri Sivaya Subramuniyaswami ji, Satguru Bodhianatha Velayanswami ji, Hinduism Today for the collection)

(The Blog  is reverently for all the seekers of truth, lovers of wisdom and   to share the Hindu Dharma with others on the spiritual path and also this is purely  a non-commercial blog)


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